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Modernism and the Architecture of Private Life (Gender and Culture Series), by Victoria Rosner
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Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."
- Sales Rank: #3958250 in Books
- Published on: 2005-01-19
- Original language: English
- Number of items: 1
- Dimensions: 9.24" h x .73" w x 6.34" l, .98 pounds
- Binding: Hardcover
- 240 pages
Review
Rosner's impressive reinterpretations of lives and texts honor her feminist mentor... and constitute a valuable addition to the literature...Highly recommended.Choice
(Choice)An exemplary study of the relationship between artistic and literary experimentation-brilliantly original.
(Kathleen James-Chakraborty Sehepunkte)Rosner's fruitful examination of individual authors, as well as artists, architects, and designers, provides exciting and fertile ground for future studies.
(Jane Garrity Modernism/Modernity)This engrossing book... provides exciting and fertile ground for future studies.
(Modernism / Modernity) Review
Modernism and the Architecture of Private Life, Victoria Rosner's new study of the shaping role played by interior design in the evolution of literary modernism, is a book of enormous interest, refinement, and originality. The overarching subject―the relation between psychic life and private space―is a profound one; the treatment of individual authors―Wilde, Woolf, Strachey, Forster―full of insight. It reminds one in a way of one of those stylish Omega Workshop textiles Rosner describes so well-being colorful, refreshing, and immediately engaging, but also wrought with intelligen ce and wit. A superb book on the history of modernism in Britain between the wars.
(Terry Castle, editor of The Literature of Lesbianism)This highly original and engrossing study of the interplay between modernist writers from Wilde to Woolf and the idea and practice of the modernist interior not only reveals aspects of modernism generally hidden by the more universalist and masculinist ideologies of the Modernist Movement after Le Courbusier, but also demonstrates the powerful role of space and design in the formation of modernist literary forms and themes. Most importantly, Rosner does not simply describe interiors, and recount their description in literarture, but rather investigates the social, cultural, and psychological roots of both. The result is a profound reinterpretation of modernism on all fornts, in all its gendered and spatial complexity.
(Anthony Vidler, Dean and Professor, School of Architecture, Cooper Union)Rosner's analysis is multilayered and complex but readable and always interesting. Her juxtaposition of elements that other scholars have not previously brought together, her ability to intelligently illuminate important pieces of the texts she employs, and her skillful choice of a small number of appropriate illustrations combine to make this book far more than a comparison of interior architecture and literature.
(NWSA Journal) About the Author
Victoria Rosner is an associate professor of English at Texas A & M University.
Victoria Rosner is an assistant professor of English at Texas A&M. She has received the Feminist Studies writing prize and a Mellon fellowship. She was a contributor to Doan and Prosser's Palatable Poison (CUP, 2001).
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Pleasurable Mix of the Architectural and the Literary
By Susan Spilecki
Victoria Rosner's book is a pleasure to read. She discusses the issues of Edwardian English social relations going back and forth between novels of the time that referred to architectural changes from the rigid compartmentalization by sex and class to a more open way of defining space and architecture that inspired or constrained these writers. In five chapters--Kitchen Table Modernism,Frames, Thresholds, Studies, Interiors--she draws on diverse writers, from Virginia Wool and Oscar Wilde to Arthur Conan Doyle and Doris Lessing, to Gaston Bachelard and Walter Benjamin. An enjoyable inter-disciplinary read.
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